Time and Time Travel
Lars Aagaard-Mogensen
The
time it takes you to read this sentence, is no doubt a fact familiar from daily
life as is the time it takes to sit down and get up. Fictions of bow-knotted
time, simple products of story telling, are in (oral) literate societies
equally familiar facts. At the same time untimely mystification of these and
innumerable similarly plain facts has become the predominant mode of
speculating, theorizing, reflecting over jolly absurdities such as ’(since) the
beginning of time’, ’(till) the end of time’, way back when, precisely o’clock,
Sein und Zeit, sign(s) of the times, eternities, etc., – which is what happens
many times, particularly, when people get really serious. Surprisingly,
sciences are as cluttered with the same and even time-travel as our "science
fiction" and cartoon books cum telly screens: so predictably that
the line ”Dr. Who, I Superman” shall very very soon have infamous futures in
the exact jungles of such canonized fictions; much as you can say already, no
kidding, another mysticism failed to alphabetize its ”B.C.|A.D.”, with twilight
zoned in your boulles eyes. The time’s right, ripe, and ready for the
concessions that time is, while time-travel can’t be, well-known, – to go by:
Although
highly and widely venerated the mysteriousness of the ’mystery of time’ is as
almost all other mysteries all misty and vastly overrated. They all feed off
the kind of ad lib gibberish tolerable with drunks, fools, and small children
(to whom you’re welcome to add the naïve, the credulous, the superstitious, several
grave societies and associations, political parties, sects, etc. of your
choice) and versions of these same sorts of gibberish are occasionally taken
for deep stark insights from sages and phantasmic rhapsodists. How else could
it keep up a spotless reputation of genuine mystery? And what’s there to a
’mystery’? except it’s a cover for ”I don’t know what to say”, ”You don’t know
what to say”, ”He doesn’t know what to say”, ”They don’t know what to say”,
etc., know not nearly, not then, not now, not soon – a run-amok-question, no
one is ready to sit down and collect himself to answer. Surely its temper spots
show once you get down on the facts of the matter, once you stay level headed
about it.
And
that’s what I aim to do, stay level headed about it, level headed enough to
troubleshoot (time and) time-travel talk: I shan’t claim formal logic on my
side (formalities and formal possibilities are too meagre for level heads);
certain things you can’t figure out, they have to be thought out; rather my slingshooter
is common sense. (It sprees live rounds though and, I expect, hit a good many
times – many good times). You see, as soon as time becomes the topic of
discussion most dive directly into that pothole between theory and reality
where formulas are lifebelts, as if a formula would tell Big Ben the meanest of
mean time.[1]
The temptation of such jumps are best attended by sticking to plain talk. (I’ve
said that before). Pictures still move thinking astray. Ever since Kant
emanuelle’d the world into philosophers’ heads (or thereabookouts), juggling
representations or quasi-formulas, magic though they may appear, became the
first symptom of pragmatitis, the affliction where not only words but worlds
are properties of thought. The incomparable convenience is of course that such
thinkers need not go in time or space or woods or shops at all: thinking the
whole thing covers it all.
Others
try to cover up the (oval) pothole, jagged edges and all, with a square clock.
The clock you know we rocked around in our youth or whenever Silopeans handed
it to us.[2]
Many peel many paradoxes and contradictions off any time by discovering that
clocks’ hands far from time, show merely their frames[3]
or the numbers decorating them. To every clock its own frame! So pick a frame
in no time. Semarf emit it, is it. While one clockwork was orange, few
oranges are clockworks. So, however they may grind their seedy teeth (at night
when we snore rather than listen) all that clocks make me o’wonder is this: do
they tic-toc or toc-tic? and does measuring bohrishly change time? problems so
timelessly deep I deem it won’t pay-off to scrutinize them, and in a stroke I
delete all horologistics (chronometry, chronology, chronometrics, et
ceteralogies) from further investigation now.[4]
Formulas and afflictions and clocks (and frames) aside. Oh zone it!
Relatime.[5]
Really. On to
Time
is indeed a most remarkable being. It’s more indomitable than the common house
cat; a cat has nine lives, but time is killed over and over again – from Mac’s
taggarting to Borges’ jorgering – and it won’t roll over and go away.
Parmenides already knew this. Perhaps it is invincible. All these assaults
notwithstanding, there isn’t the slightest doubt in my mind that time exists.
Because if those who denied time exists were right, they wouldn't have had time
to say it. Those who enjoy to make such denials (repeatedly), meanwhile confirm
the obverse, they join me, they won’t stop talking either.[6]
Philosophically
the time is always right for mixing with aesthetics (not a mere aside). You
see, one of the most popularly held theses about art-technology connections is
that most, if not all, technological innovations and inventions are
anticipated, have precedents or inspirations in art and literary works. A
standard case in point is, of course, Jules Verne’s novel (1870) and modern
astronautical moon travels, – ”… if you’re going to go interstellar on me, I’d
just as soon read the men’s microcomics. Interplanetary travel existed only in
such literature once,” one fictioner fictionalized. If you search hard enough,
nearly any novel gimmick can be found rudimentarily envisioned in some fiction;
think of Norbert Wiener’s thinking machine ancestor in Gustav Meyrink’s Der
Golem. Yet it isn’t every seer’s lucky lot to be as successful as Hans
Christian Andersen in ”In Millenia”. Especially in science-fiction are such
relationships held to hold water and, upon Verne Wells (1895), one of the all
time favorites here is time-travel (if also preceded by Andersen's
"Fortuna's Galoshes" of 1835). I shall neither analyze nor comment on
particular stories, rather I wish to examine the cogency of the time-travel
fict I gather from all such texts, talks, and anomalous tales I know. And it
has none. So on with the argument:
While
I have no trouble making sense of time, I have a hard time making any of
time-travel. I say this confidently because among the great many I can’t find
one single word, idiom, or expression, nor any statement, of any sort about or
of time that I don’t know what means,[7]
down to the spur of the moment; at the same time I can’t find any of or about
time-travel that I do in the end understand. Mooreover, I know this same is
true of many many other people in the world. And I know, and they know, that it
is precious to them, even when traveling. So without wasting more of your
precious time on ’time’ I’ll without further delay go to, pardon me, the lack
of sense of the latter, the time-travel. O time your pyramids.
Minding
the times. Time is very close to you. You remember perhaps last X-mas and
that you have to pay the water bill next tuesday right now. You may even
remember that at said X-mas you remembered to buy presents before time and that
later you’d unwrap yours which you now remember you anticipated you would do, just
to file that receipt – all now of course. So mastering the few tricks of
recollections, anticipations, now, and then, and not too much later, could be
considered a kind of time-travel (and it may in some obscure way well be an
inspiration for timing proper). After all, what you do is ”think back and
forth” from one to the other to the next to the one before to next last week
decade century era. However, this kind of minding, nowadays fairly normal
mental operations, however timely or untimely time-laden, is purely psychic;
when excessive, more or less voluntary, as with those whose mind wanders, quite
comprehensive; (there were days when night dreams commonly forecast the future.
In our days they forecast nothing but the past. OK).
Others
get carried away in somewhat the same way especially by reading fictions, but
also other kinds of old books, into imaginary (they call it:) re-livings of
periods not (far from) their own; when obsessive, as with those who’re glued to
past authors’ novels and documents, claiming to thereby obtain a free ride in
time, it is equally psychic;[8]
of course history books and historical novels further those same problems for
people whose imagination leave them to others’ devices, problems perhaps with
telling travels from interpretations, their take aways are likewise psychic –
certain quivers of transportrance,[9]
none of which are good enough for the timing of real time-travellers: they
don’t want an off-time, they want it off their minds and bring their luggage
(for certain to carry the trophies on the return trip). And that’s what we must
do, get out into
the
Thick of Time. So what about the real ’time-travel’ and what I can’t make
any of? Time flies – fugitiously; but unlike Concordes, however fleet-winged,
it takes no time and has no where to go. So the pair of them, travelling and
flying, are over and done with in no time. What were the possibilities
envisioned for time-travel? I gather it started perhaps this way. It’s getting
later for us all all the time, so we’re all travelling on or ahead or forward
in time with time.[10]
No big deal, anyone and everything can do it and in fact does do it – in
exactly the time it takes to do so: what’s worse, no one and no thing can’t not
do it – it’s a chronic condition. As an inescapable conclusion, a
straightjacket of insurpassable fit and comfort. We are timedwellers, (rather
than travellers). And it is over and against this ’can’t’ that dreamful
speculation takes off.
First
of there seems to be just two possibilities (bobbing about in the present is
discounted): you can either go forward or backward in time, perhaps as Captain
Barcley was said to walk against time. But direction-talk is all wrong here, –
and part of a larger task of dislodging time-talk from spatial and locomotion
talk would have to be undertaken to tell exactly how far, – it is misleading:
there are no up time or left time, down time, in and out time, and so forth,
totally misleading. Gold-rimmed invitation to Lineland. Therefore the two
possibilities can more to the point be cast in times; you can either time to
the future or to the past. The former, the future, just isn’t there to go to;
unless you’re a complete Fatalist (who has no choice but to go), and even so,
it is true to say that the future hasn’t been yet and no timing is going to get
you no where (and apart from a single remark and one implication I shall, may
Horos cope with it!, speak no more of it). Is there, regarding the latter, a
past to go to? No, there was a past. So, you had to have been gone to get to
the past when it was. To (really) get from ’is’ to ’was’ requires more than a
label, a stipulation of time-tripping, timing. If belated, the belief that somehow
pasts hang sluggardly around in the wings for you as another Leif Erikson to
discover is sheer, however queer, fantasy. (Besides, the heyday of the travel
account, the travelling salesman, seem to be gone). So if you’re all rigged out
to go, there’s no particular place (nowhen) to go.
But
then a repair of those two impossibilities seems to leave a loophole, – a
loophole through which you may bump your head against the nonsense wall again,
One More
Time,
please! you order the universal waiter. It consists in the idea that you can
step out of time, ”do your tripping”, and re-enter at another, earlier or
later, time and, most of the time, eventually retrace slip back into the
present (this or the ”next”). As Matilda waltzes out of time and sits down warming
the bench again. Whiff. Unlike the making of instant coffee, pudding, soup, and
such delicious delicacies, it takes time or something of the sort to travel. So
what seems required here is that there should be two times, one – a spare time
so-to-say – for travelling and another to exit and enter, the real one.
Comparable, perhaps, to ”the cheerful melody that trips along as though it had
not a care in the world, somewhat like a person, though not really one – moving
in a time that is not the time of the physical world.”[11]
That is just two times more nonsense than I can handle on one Mittwoch
(how much spare time do you get at the time-exchange for, let’s say, a spring
time? enough to love Paris twice?) and I’ll leave it therefore to the mystics,
perhaps those who all along favored several universes (perhaps wormholed
together) such that they can go from one to the (which?) other the way we step
out of and into the parlor and into and (relieved) out of the bathroom. The
cheap transportation reincarnation affords. There just is one time, (one, in
fact, is enough of the darned things), and if you want to travel in it, it
won’t help you to step out of it, even if you could get off out into (some)
timeless (what?). How would you change time there? The way, to be sure, some
would have a stripper, once out of her clothes, change from bare to naked to
nude? Go eat your weed, Tim E.
Tin
Can Alley. As with many things you can’t, but badly want to do, – iffy as
no one badly wants to do time, – a machine is devised to help you out, salvage
your dream.[12] Can it. And
we have devised wonderful machinery (besides some awfully dismal ditto). As you
trust a serum (is in truth) an immunization against mums, say, I suspect you
entrust the infamous time-machine to do the same against time. A special kind
of conservation tin it must be,[13]
preserving you the inside content/rider from the furor of the outside, shutting
its timing out; or as your suspenders hold up your pants, garters intime her
stockings, the tin shall hold off time, belt it. Can it? Well, to enter a tin,
a mere displacement of location, (for once a door slam to effect), to obtain
immunitime seems just to pass the trouble one buck down the line and even if so
immune it’s not clear it would do much else than put you behind the time, keep
you now’ing, stamp you on to a moment as the post office a cancellation stamp
on a stamp. Some travel, some conservation!
But
wait. ”Inventors built ’impossible’ machines and made ’impossible’ discoveries”
a noicy voice cried out loud without telling us which, so this could be one or
two of them. I don’t know how many refusals patent offices issue per year, and
woordworkers possessed have indeed marvelled out imbilities styled like the
plumbing in my basement.[14]
What will they think of next? Alladin’s rug pales, the way interest silently
make money. But admit it, there’s acute lack of know-how and blue prints for
wringing this camel thru this needlestack.[15]
But more than that, there’s a reason:
It can?
However, instead of speculating more on the timeless minutiae of this tin
contraptionary, let’s realize the evidence,[16]
as conclusive as evidence comes, does away with it: Because if it ever will be
invented, it is or is passing through here now (ex hypothesis, going only to
the past); the all-time evidence says it isn’t here now, nor was here;[17]
therefore there won’t be such a device, ever. I hope, hold and beLo, plead and
aver, this little inference is a lot less square than Lavoisier’s to the effect
that there are no meteors because there are, he found, no stones in the sky.
That mine
squares is obvious: Starting from nowhere isn't going to get you here (the
tortoise couldn't "win" having no goal line). Future people, if such
ther be, will have as little past to traverse to as we do. The idea, fancied by
a great many fobs posturing for posterity, that the present is the past of the
or some future is no less spurious: this present will not endure longer than
any other past, it will be 'was', not 'is', at any later time.
Evidence of
nothing is nothing (this too, Parmenides told you). Don't bother to search for
it; if you do, you'll be right everywhere you look, whereas Lavoisier only was
somewhere where he "looked". Deposits of if-evidence you use your
shiney ifcroscope to detect.
(Considering
how much gold is said to be in a bug and how the practice prevails, there’s a
striking absence of bugging the past. That all so-called time-capsules are
current, distrustful of ordinary monuments, perhaps bespeaks the timers’
special condition: the unmanne(re)d tin, the robotic probe – perfect
historicist eavesdropper – doesn’t ignite this adventurous inclination the
right way. Perhaps cause the right kind of (control) wiringless got crossed
out. Hence, debugging that mystifictionality can be put on hold as well).
Timing
Time. So when you can’t time yourself to the past(s) [nor the future(s)], to time at all, the remaining
possibilities are to reverse, accelerate, or stop time. And I can’t make any of
these either. Read me try:
First
about acceleration. Some are said to be behind their times, and some indeed
are, some in fact so far behind that their behinds still show yesterday. And it
would be nice for them to catch up. I, for one, really wish they would. But
apart from them (and those who have’t changed their fundamental minds for
ages), it beats me who would want to age faster while the rest remains at its
own pace, the usual. That would just come to shorten your life or cut out or
off or compress so much of your experience, enjoyment, and prospects, etc. Some
indeed, for obscure and challenging reasons, do just that, age very rapidly; we
lament their lives’ brevity, call it progeria, a disease, and try our best, or
very nearly so, to cure it.
Second
about deceleration. It may have its advantages to age slowly or bloom delaidly,[18]
Indian warmer welcomed than summer summer. At any rate, aging slowly is
something we all try all the time. We try to prolong life, try to make as much
of it as possible, in fact I think to slow down, to pace aging is one
legitimate branch of age studies and I much hope it succeeds real soon, (for
example before my doctored or natured end, whichever comes first, as agents are
fond of clausing). Some are so slow they remain children all their lives,
infantilism covers this condition, which again we wish was curable.
Third about
stoppation. I just don’t think it makes any sense that anyone goes for the
perpetual still life, the frozen snap-shot ”just a moment, I’ll be right with
you” world – and it hardly counts as travel to get stuck between the halted
teeth of time (– it surely would be sad for those currently in nasty
situations, messes, and jams) as a week old sinew of tough loin. Stopping and
timing are contradictory.
Icecapades
of Pausing. Any respectable remote features a pause button, bears
hibernate, and spores slush in dormancy. Some extemporation is in order,
certainly for those hotly intent on suspending their animation, some stops are
intermissions, as frigidity partly preserves a certain virginity, some
postponements, go frigid and the rest of your future is to come.[19]
Parked on ice they pat(i)ently wait flat out for less rainier days, the
remainder for part-time lifers. Modernized mummy commerce. What is there to
say, are they "going" in the meantime? Not otherwise than the rest,
only sedatedly.
2.
It doesn’t greatly surprise me if time-travel proponents object that none of
these are really what they had, have, or beget on their minds. And it is clear
it is something much much more ambitious they crave. They don’t want to
accelerate, decelerate, or stop time, thrill at a chill, they don’t really want
to travel back and forth in time, they want to control to direct time itself,
the world and what goes with it – back and forth. So this is what they’re up
to:
Suppose
one of them really managed to reverse time, to time shunt, to emit. I think
that would have to mean that you would get younger and younger [shit enters
your anus, and fresh fruit and macaroni and antepasta exit your mouth, – which
besides swallow a lot of sounds – from where it goes....] and if you shunt far
enough you’ll finally pass thru your infancy [where skrinking babies pump milk
into their mothers' breasts] your fetal stage, the gamete, and then what? Your
guess is as good as mine.[20]
A weird revelopment and I’m at sea as to the purpose of such a regression.
Of course,
again, this is not quite what the time-travel dreamers imagine; they seem to
think that they would become time-less or carry with them, no doubt in the now
so fashionable backpack or spray can, their private (perhaps not so) little
chunk of real time, just enough so that they would stay normal to enjoy that
the rest dances to their whims and wishes. In other words, they don’t just want
to turn back the clock (anyone can do that) or have a load of yesteryears’
pageants and orgies, they want a repeat, a rerun, an encore, on demand, in
reverse; they want to change time, our time, but not their’s, and that is very
ambitious, if you ask me. I realize you don’t, but all the same I won’t have
it, these sickies must not – and I’m rather glad that time (or something)
detains them – turn me and you into fetuses and so on and forth, time and
again, just to accommodate their visitations. Their affliction is of course of
a maltempered grave sort properly called megalomania: their tin is going to
turn back revolute the world, while preserving them sweeties in their present
condition. [They want it both ways at the same time]. It’s plain silly, that’s
what it is. Not least because
Part
of the idea here perhaps is that, if one could time-travel, one could choose to
so compose one’s life of or spice it up with the, and only the,
most significant, exciting, or whatever sequels of human life episodes (whether
one chooses such thrills according to the tourist’s, the scientist’s, the
chronicler’s, the archivist’s, etc., index of importation). This might be made
out to sound noble enough. All the same the weirdest motivations must be
admitted: some would want to join be part of be present at a crucifixion,
Casanova in action, others Caesar’s murder, some Hitler’s rages, some Mona
Lisa’s grin, some the earth’s convulsions, some the extinction of cultures or
species, etc. etc. Not a very handsome, nor commendable, collection of human
motivation all in all. Pervert dating. Reservations are not taken, for the
pious who wish to dine at the last supper, for they couldn’t possibly fit
another chair at the table – the dinner is already over nearly 2000 years ago.
An equally
queer consequence of preference primed this way is the implicit trade-off
between the experiences the timers could have had in their own future lives,
that which was about to happen, unknown and unforeseen to them of course at the
time of timing departure, and those moments and actions which are the real
events only of other, in casu dead, people’s lives, which they don’t
know either, of course, beyond certain legendinous second-hands-us-downs
versions. Over limbo temps era t(o)ures. This odd preference between two
unknowns, favoring the ”presumed” familiar, the legend rumored ___?___, betrays
a kind of nostalgic rejection of their own lives, a Heimweh aliénante
(an element no doubt of traditionalism I've examined elsetime[21]).
(Insisting
on a similar trade-off with future experiences in the face of the odds against
there being any ahead of time, is pretty dull and pointless, except perhaps to
vindicate Sartre on a few moments of nothingness. Not even worth the posture, I
should say). Several timesillies.
Now
to
The
Lighter Side of Time-travel. The craving for experience substitution is
sucked in by that ole snuggler, the primacy of vision, such that when you
realize that you can’t turn back the world tout court, seeing observing
eye-witnessing its bygone events is deemed close enough, the next best thing to
being there, to the original dream. Put a panorama window in the aforementioned
tin (and forget not to fit it with a sturdy wiper rack to clear it of all the
bloody meat of the victims hit en route) and time-travel resurrect as
spectator sport (with all that usually implies by way of passive gluttony and
so on). The mania re-dressed as omnividience. Seeing or observing past events
gets entangled with certain (standard) theories of light, and everyone has of
course heard of the marvels of light motion and its super speeds[22]
(it seems we have here another travel story (a light advisory) rather than a
light theory). The stheory is somewhat as follows:
Vision
is not a contact sense, (though not entirely unsexy). Between you and me
there’s a spacey distance. My eyes, my vision can't reach you, and men of
science discovered that, when I do see you, there's light in that distance. But
make no mistake, that light should be
(velociting as it were) all over is a bluff, it really is not: It goes from x
to y, on these theories. You see, you don’t make it, nor do your looks, so in
order that I can see you from here, some light must flow from you to me.[23]
Light carries your looks over across the distance to me who then sees ’them’,
without noticing any carrier. Light is busy; it’s sent off by a light source,
bounced off on you and gets to me before you and I know it. It’s a kind of an
illusion, done very diligently, by the Great Illuminator, who is no evil
genius, but a most enlighteningly tricky one.
By
some such very crude deductions we rationalize further common facts such that
what we take to be far away things, the moon, the stars, etc., are despite
remoteness still visible to us; therefore the medium of seeing must be able to
go the distance (how else could we see it?) – it probably takes more than one
drop of snakeoil, a whole can maybe, letting them go perfectly unscathed all
that far – and it must go the distance very very fast or it wouldn’t make it
before you want to look at something else: after all you haven’t got all night
to gaze at the moon, and every time you as much as sneak a peak at it, sure
enough, light accomodates you with no objection whatsoever, and no extra
express charges. So definitely, it must be incredibly fast – perhaps here we have
a counterpart to the kind of control timers long for over time. The little
chronognomes, timelings, just like the little luxognomes, lightlings,[24]
should be trainable to perform in the same 3-ring circus – with the timer as Gesprechtsstallmeister
(which is a German term non-German writers sometimes use, when they want to,
for ringmaster).
All
right, now you’ve got a traveller,[25]
and all you need is to make this dear oldtimer change his itinerary. He set out
in the past, has been on his merry way ever since, and the trick is to make him
detour deray to where you’re at, and deliver to you the ’looks of past things’,
the has beens, the gone-ons or sawing as’ses, – so you can reel ’em in as so
many hooked herrings. It supposedly works, like a charm, pretty much as a delay
mail service the one you know which suddenly drops a postcard in your mail slot
with a snapshot of your great-great-great-great-great-great grandfather, Graddy7
to be exact, in plain view; what a pleasant surprise, – it is a service just
like that, only you can decide what looks land in your timecardslot. Quite a
trick, you must admit, but how nice it would be. The quite’r, as the
Prospects
appear brighter than with the tin. We excel in this kind of business. Flipping
switches. We can project make it carry all kinds of images, and if you can
project, you can no doubt reject, pull out from the rear of the light rays the
receeding looks sent off and time-borne by little lightlings of things in the
past or swing them around, perhaps by a clever mirror system or some real heavy
duty gravitationing, so that whenever you choose to look at them, they serve
you the way contemporary lightlings polka to your whip. It’s such a cute story
that I nearly haven’t the heart to monkey with it. But, given the present
purpose I must try to, say, try.
Lightlings,
who, when, where, what are they? I’m afraid we’re quite unenlightened,
particularly wavering, about light. To shorten a long saga, I shall only sketch
five troubles common sense shoots in this ”theory” – and we can whip up the
rest, or at least a good many others, any old time.[26]
First, the retreat to spectation involves the assumption, in one form or
another, that you can have the view of an event without the event – that
lightlings do what a recorder, that idol of our bureaucracies, does, which is
petty and pretty absurd – or to put it differently that the light is dated
(which is, incidentally, inconsistent with its multiple refractions,
reflections, deflections, scatterings) and thus contains or preserves the looks
of ”the event” for ever after for retrieval (once, twice, …?) on demand, just
in case some timers should sometimes want it. I don’t, haven’t a reason to,
dispute lightlings’ loyalties, I merely wonder why they should serve timers so
unswervingly?
Secondly,
there may be something amiss for the enterprise to work as proposed. Suppose
you compare, for a moment, with that most beloved trivia analogy, the movie
being run reverse rather speedily (which appear to have some similarity to the
rejecting journeyman’s dream) – (lightlings do not come in frames, etc., –
delighted to forget it). The distortions introduced by this compression gives
you an idea, I hope, of the mess (I see) the rejection proprosal involves. To
yield barely minimally satisfying results, such rejection requires tremendous adjustments
in the rejectionist’s sensibilities. Frankly, I don’t see how he can do it. And
I’m a bit at a loss as to why he should want to do it, e.g. to see the battle
of Copenhagen, backwards this way. And face it, many events, surprises, Bingo,
bangs, climaxes, etc., entirely lose their point, sense,[27]
excitement and all, backwards.
Thirdly,
I think there’s a spuriousness in the theory of lightlings’ dispersion along
rays,[28]
which appear a somewhat necessary feature for their retrieval: unless ordered
or regular in some way, some non-iso/entropic way, where do you go for the
desired ones? It certainly encounters severe difficulties if required to
account for the fact that they (whether straight, bent, dented, curved, or not)
only go so far (or sometimes as we see deliver no looks at all, say the dark
night sky). Some things at a distance can be impossible to see, neither because
occluded nor because unlightened, but because lightlings never make it, they
are so-to-say used up, worn out, turned off, before reaching you, and the
stheory postulates infinite propagation. So, if lightlings carry the view of
things for his review, why do they not desert the timer’s highway as they
sometimes, indeed quite often, desert us all the way?
Fourthly,
when the light gave up, never made it all the way over to you, where did it go,
once it went? and what became at that very moment of the looks they carried?
(See the look depot manager). (Similarly, where do they go once you’ve seen the
looks?)[29]
Unless we find an answer, find a good home for these dearlings, I guess the
timer can’t retrieve them either? can he? and that spoils his entire
enterprise; (another comblication is that the lightlings we saw may be
unavailable to him just because we saw them, they disappeared were absorbed spent
worn in us, a plant or the Jensen’s, so it may be a flickering, strobic,
”random” discontinuous (re)view, perhaps entirely unrecognizable, he’s in for,
a stammering so severe only a native Chinese can even misunderstand it).
Finally,
see if the timer sets his panoramic window to, say, King Hans' days
(1481-1513), as Hans Christian Andersen mused, all the lightlings left – rather
quickly – at the time, so all he'll see is utter darkness. (And photons, by the
way, are merely samples of particles or energy, i.e. the rest left too). So the
entire thing as spectation enterprise ends up all murky and black.
(I
can’t resist prodding at one more element in voyeur emitting. It intrigues a
great many that on this dream you may view yourself in your past, meet yourself
visually, so-to-say (yet neither as in a mirror image or home movie, nor even a
real image of you, but your very own former looks (obviously you aren’t
yourself there any longer) with a lot more flesh to it). An ontologic
formication, which will make every housewife buy it. (Why, did you fail to
leave a trail of looks? We’ll broom them up). I don’t know if one is
recognizable reidentifiable (let alone likable) to oneself in reverse (up-side
down already produces misses), but an assumption here is that one’s withdrawing
from time at a certain time has no effect on one’s previous presence(s).
(Backward causation has now become selective). Perhaps it’s two bits too
outrageous, but how are we to second that removing oneself from time (at any
time) isn’t going to remove one entirely? (Only your last look dies – a
question as poignant as ”Can two invisible people hide from each other?").
Well, I suppose one way of answering this is as good as another, and I’ll leave
it at that. That is, until such good time as we’ve got any defogged notion of
what would count as (finding) an answer.) So even watered down denatured to
spectation, time-travel doesn’t seem to have much going (sic) for it.
A Sound Side?
Then to my last point, now. As the movies, pardon me, went from silent to
talkies, now you’re at it, reviewing (pre-viewing?) isn’t enough for the
typical emitter, he also has a few questions for Socrates and so you see him
add a sound system (i.e. repeat the trick he played on lightlings on
audiognomes, soundlings, synchronize them as best he can), and, having
practiced his best ”Greek” since departure, get them off his chest (”Socrates,
is it really true you know that you don’t know anything? Or is that irony as
Søren says it is?”) – and here you run into this difficulty that Socrates no
doubt led a full life: that is, he did this, he did that, he scratched his
back, ate, yawned, slept, he talked to Plato, to Crito, to the rest of the
Sophist gang, quarreled with Xantippe, his two boys, went to court, and so on and
on and on and on his entire life. But it follows that Socrates didn’t couldn’t
have any time, doesn’t it on the whole, to talk to the dear timer, none at all,
his life is already filled taken booked up solid – and well, you might add –
(or chance upon the pocket where time stood still for him). From cradle his
life was good to the last drop. What makes you think he can will take time out
for a snotty timer and his petty questions? What would make him want to, even
if the timer does?
(I’ll
leave the participatory live-show (heaven and its soldiers forbid) to your own
and Pierre’s single hand devices).
Smell
a springtime – and always dinnertime. Follow your nose, in the dark when you
can't see the clock (on which we spent a lot of effort to lighten up the arms
and faces), the inscrutable oriental as usual had his amomatic timepiece, ....
End.
Enough is enough, certainly for a paper this near its end. As if I knew when to
stop. So, in recapitulation: setting aside mystics, mentalism, operationalism
and relativisms: Time is, time is all right, just one of them.[30]
The past is no more, the future not yet, no spare time to go (you can’t use
your own); no tin tin available. To accelerate, decelerate or stop time makes
the wrong sort of solitarian travel, indeed may only make for travel-sickness,
for our heroes. Love makes the world go, even wrong, round, – not freak
nostalgia. So the plot to reverse the world is gross and for eccentrics only.
Even sporting timing down to, however mega-, vidiencing it stacks up more
problems than promises.
Let
me repeat: We knew all this (and now I’ve told you, if you didn’t) all along.
So although I shouldn’t rushly conclude that time-travel is an altogether bogus
issue, I shall submit that several of these troubles hitshot, singly or
jointly, make it very little attractive and indeed resistible – even irritating
in fiction.[31] Which
warrant at least two pendent conclusions: I propose it follows too that one can
tell a fictional text from a non-fictional one by such spurious contents. And
secondly, however much artistes and technologians may otherwise have in common,
this can’t be one such affinity, at any rate not a cognitive one. It remains
fantastic. Which can, thirdly then, also be said for a great many historical
enterprises.
[1] Nor is there an all time scarcity of diagrams only when color mags feature it (e.g. Science Digest, Sept. 1982), but never (e.g. Henry Margenau “Can Time Flow Backwards?”, Philosophy of Science, vol. 21 (1954), pp. 79-92; Murray Macbeath “Communication and Time Reversal”, Synthese, vol. 56 (1963), pp. 27-46; and on and on and on). Among others, time-lines, straight and narrow, are as telling as life-lines to palm readers; cones swirl and sweep as funnels on medieval heads; and arrows home amorously in all over this as flies on a dung heap.
[2] Alan Goldfein “The Introduction of Time”, Heads, William Morrow and Company, New York, 1973, pp. 61ff.
[3] Too many to list anywhere, for a blunt for instance see Paul Horwich Asymmetries in Time, The MIT Press, Cambridge, MA, 1987, part of which “On Some Alleged Paradoxes of Time Travel” he just yesterday got into The Journal of Philosophy, vol. LXXII (1975), p. 433ff, too.
[4] Neatly demetered at any rate by O.K. Bouwsma in section I of “The Mystery of Time (or, The man who did not know what time is)”, Philosophical Essays, University of Nebraska Press, Lincoln, 1965, pp. 100ff.
[5] After all, operationalisms are just versions of relativism. Which has such following that I suppose it shall disappoint relativists if not engaging it more explicitly. But disappointing one on time waives it, cf. "I Have Seen It", Papers on III, i.p.
[6] And some (therefore?) say time is all (in) the way you tell (it?), which of course makes it, the perfect success of succession, at least once too wordy for real temperamental people. See, e.g., Paul Ricoeur “Narrative and Hermeneutics”, Essays on Aesthetics, ed. John Fisher, Temple University Press, Philadelphia, 1983, pp. 149-160. But the slenderness, indeed anorexia, of the narrative is too obvious, even Foucault michelled, The Order of Things (1966), Vintage Books, New York, 1973, p. 371, if I hadn’t.
[7] Of which I’m reassured by Austin’s assessment that in the matter of time ordinary language certainly is not rich and subtle. Philosophical Papers, The Clarendon Press, Oxford, 1961, p. 130. But it echoes luxuriously across poetry, see e.g. M.N. McMorris “Time and Reality in Eliot and Einstein”, Main Currents, vol. 29 (1973): 91-99.
[8] All those boarding raptic metaphor (bus): “A novel like one of Fielding’s goes much further in transporting one into the eighteenth century than a history of manners and customs of that period like the serviceable one by Mr. Sidney.” “Introduction” to The Sir Roger de Coverly Papers, Cambridge 1893, p. x.
[9] To discard the books and words and wormery, Carl saganed doses of MDA, etc., Broca’s Brain, Random House [where else], New York, nd., p. 303 passim.
[10] Some even argue that the direction of time is crucial in assigning possibilities to people, cf. Thomas Nagel “Death”, Nous, vol. IV, no. 1, (1970).
[11] Monroe C. Beardsley The Aesthetic Point of View, Cornell University Press, Ithaca, 1982, p. 369. So if you’re a ringer, ding-a-ling, or scream, you’re half a backslapping timer.
[12] And of course you can get a manual: Time Travel: A How-to Insider's Guide (a mere 160 pages, promising: "Strap yourselves in, folks, and take a journey into the unknown. Former military intelligence operative offers safe, simple and proven ways to travel through time. Using secrets of ancient mystics and methods allegedly perfected by covert U.S. military agencies, you can visit the past or future whenever you choose. Shows you how to cross dimensions, enter vortex and window areas and successfully break the barriers of time and space. Change your life by using ancient and modern secrets of time travel."), www.johnson-smith.com, cat no HQ-21882.
[13] This cantraption usually is fused, for economic reasons only, with a space mobile as well to make it less impractical, i.e. you wish to time and “be there” at the Massacre of St. Bartholomew, – perhaps to find answer to ”Can blood flow backwards?” – but your tin sits in Kalamazoo, (a combi-complication I shall by and large ignore here).
[14] Anticipating #25; cf. also John Fisher “Perceiving the Impossible”, The British Journal of Aesthetics, vol. 18, no. 1 (1978), pp. 19-30.
[15] Maintenance might be hard (impossible) to schedule, but do execute in this end. Zen may not procure spare parts when most you need them.
[16] See M. Dummett search for it in the outer reaches of ignorance, “Causal Loops”, The Nature of Time, eds. R. Flood and M. Lockwood, Basil Blackwell, Oxford, 1986, pp. 135-69.
[17] The eternal problem of proving negatives (something suspect in views entailing that?) fuels hunting down only esoteric traces. Timers, in the manner ETes have impolitely left no (radio) calling card Carl et co. whine, left not a single wrecked device now. Though voided two paragraphs ahead, notice that rampant proposals wallow in scarcity and rarified etherealities. Admit it, if there's any, there are many. Traffic congestion in one now, whether passing or resting, from all times, I guarantee it, would be noticeable right away.
[18] It was written some years ago, 31 to be exact, to improve especially womens’ chances of getting to become centerfold decor if they filled the Playboy bill of “We like to find a late-maturing girl”, Thomas Meehan Cosmopolitan, May 1971, pp. 181-185.
[19] Cf. E.A. Poe "Some Words with a Mummy" (1845).
[20] As Georges Bataille’s guess: “We know that death destroys nothing, leaves the totality of existence intact [1. law of thermodynamics], but we still cannot imagine the continuity of being as a whole beyond our own death, or whatever it is that dies in us.” Erotism. Death and Sensuality, City Lights Books, San Francisco, 1986, p. 141. Even he did not omit a ‘whatever’ hanger.
[21] Real Art, Communication & Cognition, Gent, 1994, pp. 34ff.
[22] And once you get that, you quest to top it like Achilles his tortoise, cf. G. Feinberg “Particles that go faster than light”, Scientific American, vol. 222,2 (1970), pp. 68-77. And now, the evidence, we managed to slow down and to speed up the photons.
[23] We all know how stirring this can be, in fact interferestingly so, when two look each other deep in the eyes.
[24] And tiny tiny littlest ones they must be, for you don’t get them in your eye like specks of dust, fumes, and dryness ...
[25] You finally spaceyfied time, too, perhaps to Theodor’s recipe “As a piece of music compresses time into small space, …” (Aesthetic Theory (1970), Routledge and Kegan Paul, London, 1984, p. 200), converted timer to a spacer, a washer up – between every nut and bolt.
[26] For some whipping, see “Seeing the Invisible”, Papers on III, i.p.
[27] J. Hartnack spells this out for causal events only, "Om Tid", Filosofi og Common Sense, C.A. Reitzel Forlag, Copenhagen 1999: 65-82.
[28] Reminiscent of that disappointed lover in the romance who leaped on his horse, Isothrophalus, and galloped madly off straight in all directions, they gogo directly allwhere.
[29] Cf. a head start I made in “Pictsextures. A Foxtrot on Subception Hypocrisies”, International Journal of Visual Sociology and Visual Anthropology, vol. I (1986), pp. 56-73.
[30] I asked Ludwig, he ok’ed.
[31] Luk De Vos “Science Fiction as Trivialliteratur: Some Ontological Problems”, Zagadnienia Rodzajów Literackich, vol. XX, 2 (1977), pp. 45-59.